{"id":24051,"date":"2021-04-15T08:21:20","date_gmt":"2021-04-15T15:21:20","guid":{"rendered":"https:\/\/phoenixvalleyreview.com\/?p=24051"},"modified":"2021-04-15T08:33:52","modified_gmt":"2021-04-15T15:33:52","slug":"art-exhibits-you-dont-want-to-miss","status":"publish","type":"post","link":"https:\/\/phoenixvalleyreview.com\/art-exhibits-you-dont-want-to-miss\/","title":{"rendered":"Art exhibits you don&#8217;t want to miss"},"content":{"rendered":"<h3 style=\"text-align: center;\"><strong><span style=\"color: #bf15ba;\"><a style=\"color: #bf15ba;\" href=\"https:\/\/asuevents.asu.edu\/content\/bodymagic-liz-cohen\">&#8220;Body\/Magic: Liz Cohen&#8221;<\/a><\/span><\/strong><\/h3>\n<p>This exhibition combines all aspects of artist Liz Cohen\u2019s &#8220;Bodywork&#8221; series. She explores issues of personal and cultural identity and assumes various roles in lowrider culture, including builder and bikini model, to challenge prevailing narratives about femininity and prompt conversations about &#8220;immigration, nonconformity, and resistance.&#8221;<\/p>\n<figure id=\"attachment_24053\" aria-describedby=\"caption-attachment-24053\" style=\"width: 745px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24053\" src=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/bodymagic-lizcohen.asuam_.jpg\" alt=\"\" width=\"745\" height=\"420\" srcset=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/bodymagic-lizcohen.asuam_.jpg 745w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/bodymagic-lizcohen.asuam_-600x338.jpg 600w\" sizes=\"(max-width: 745px) 100vw, 745px\" \/><figcaption id=\"caption-attachment-24053\" class=\"wp-caption-text\">Liz Cohen, Zwickau Routine: Yellow Inward Turn, 2010, C- Print, 16 x 20 inches. \/ Liz Cohen<\/figcaption><\/figure>\n<p><strong><span style=\"color: #bf15ba;\">Date:<\/span><\/strong> January 16 to May 29<br \/>\n<strong><span style=\"color: #bf15ba;\">Website: <\/span><\/strong><a href=\"https:\/\/asuartmuseum.asu.edu\/\"><strong><span style=\"color: #bf15ba;\">ASU Art Museum<\/span><\/strong><\/a><br \/>\n<strong><span style=\"color: #bf15ba;\">Location:<\/span><\/strong><br \/>\n<iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3330.174656617681!2d-111.94122878480152!3d33.41869058078297!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x872b08da45339d17%3A0x57faf0c63b3dc658!2sASU%20Art%20Museum!5e0!3m2!1shr!2shr!4v1618497991609!5m2!1shr!2shr\" width=\"600\" height=\"450\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/heard.org\/exhibit\/leon-polk-smith-hiding-in-plain-sight\/\"><strong><span style=\"color: #bf15ba;\">&#8220;Leon Polk Smith: Hidden in Plain Sight\u201d<\/span><\/strong><\/a><\/h3>\n<p>Leon Polk Smith is a modern artist who helped found the Hard-edge Painting movement characterized by geometric forms in bright colors. He was inspired by American Indian culture in his native Oklahoma and the Southwestern landscape, and artists such as Ellsworth Kelly and Piet Mondrian.<\/p>\n<figure id=\"attachment_24054\" aria-describedby=\"caption-attachment-24054\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24054\" src=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/shield_web.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/shield_web.jpg 800w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/shield_web-300x300.jpg 300w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/shield_web-100x100.jpg 100w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/shield_web-600x600.jpg 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-24054\" class=\"wp-caption-text\">Unidentified Artist, Comanche, Shield and Cover, c. 1880. Hide, cloth, color pigments, eagle feathers,horsehair, 18 inch diameter x 42\u00bd inches long. Fred Harvey Fine Arts Collection, Heard Museum.<\/figcaption><\/figure>\n<p><strong><span style=\"color: #bf15ba;\">Date:<\/span><\/strong> February 5 to May 31<br \/>\n<strong><span style=\"color: #bf15ba;\">Website: <\/span><\/strong><a href=\"https:\/\/heard.org\/\"><span style=\"color: #bf15ba;\"><strong>Heard Museum<\/strong><\/span><\/a><br \/>\n<strong><span style=\"color: #bf15ba;\">Location:<\/span><\/strong><br \/>\n<iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3328.1105032316163!2d-112.07438958521674!3d33.472473680767635!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x872b12425b1150ab%3A0xdc4b09e8041cd722!2sHeard%20Museum!5e0!3m2!1shr!2shr!4v1618498317849!5m2!1shr!2shr\" width=\"600\" height=\"450\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #bf15ba;\"><strong><a style=\"color: #bf15ba;\" href=\"https:\/\/smoca.org\/exhibition\/diedrick-brackens-ark-of-bulrushes\/\">&#8220;Diedrick Brackens: ark of bulrushes&#8221;<\/a><\/strong><\/span><\/h3>\n<p>Diedrick Brackens&#8217;s work explores African American and queer histories reflects his interest in movement, nature, and mythology. The exhibit is titled after the biblical story of the infant Moses being floated to safety inside a reed vessel.<\/p>\n<figure id=\"attachment_24055\" aria-describedby=\"caption-attachment-24055\" style=\"width: 745px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24055\" src=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/db_pleading-ark-smoca.jpg\" alt=\"\" width=\"745\" height=\"497\" srcset=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/db_pleading-ark-smoca.jpg 745w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/db_pleading-ark-smoca-600x400.jpg 600w\" sizes=\"(max-width: 745px) 100vw, 745px\" \/><figcaption id=\"caption-attachment-24055\" class=\"wp-caption-text\">Diedrick Brackens, pleading ark, 2021; c-print, 24 x 36 inches; courtesy of the artist, Jack Shainman Gallery, New York, and Various Small Fries, Los Angeles\/Seoul.<\/figcaption><\/figure>\n<p><strong><span style=\"color: #bf15ba;\">Date:<\/span><\/strong> February 20 to August 22<br \/>\n<strong><span style=\"color: #bf15ba;\">Website: <\/span><\/strong><a href=\"https:\/\/scottsdalearts.org\/\"><strong><span style=\"color: #bf15ba;\">ASU Art Museum<\/span><\/strong><\/a><br \/>\n<strong><span style=\"color: #bf15ba;\">Location:<\/span><\/strong><br \/>\n<iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3327.3758206625175!2d-111.92510968521617!3d33.491597980762116!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x872b0bc0cd992f6b%3A0x2c8af03ce8185d10!2sScottsdale%20Museum%20of%20Contemporary%20Art!5e0!3m2!1shr!2shr!4v1618498666643!5m2!1shr!2shr\" width=\"600\" height=\"450\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/smoca.org\/exhibition\/division-of-labor-women-shifting-a-transnational-gaze\/\"><strong><span style=\"color: #bf15ba;\">&#8220;Division of Labor: Women Shifting a Transnational Gaze&#8221;<\/span><\/strong><\/a><\/h3>\n<p>Together the group of 10 female artists offer a unique perspective on labor in connection to feminism, identity, equity, and the gaze that reaches across the United States\/Mexico border.<\/p>\n<p>This exhibition includes sculpture, photography, and video addressing the experiences of Latinx women living in the Southwest.<\/p>\n<figure id=\"attachment_24056\" aria-describedby=\"caption-attachment-24056\" style=\"width: 745px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24056\" src=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/divisionoflabor-installationview-smoca.jpg\" alt=\"\" width=\"745\" height=\"509\" srcset=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/divisionoflabor-installationview-smoca.jpg 745w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/divisionoflabor-installationview-smoca-600x410.jpg 600w\" sizes=\"(max-width: 745px) 100vw, 745px\" \/><figcaption id=\"caption-attachment-24056\" class=\"wp-caption-text\">Installation view of Gabriela Mu\u00f1oz and M. Jenea Sanchez, Labor \u2013 Victoria &amp; Rosalinda, 2021.<br \/>Claire A. Warden<\/figcaption><\/figure>\n<p><strong><span style=\"color: #bf15ba;\">Date:<\/span><\/strong> February 20 to August 22<br \/>\n<span style=\"color: #bf15ba;\"><strong>Website:<\/strong> <\/span><a href=\"https:\/\/scottsdalearts.org\/\"><span style=\"color: #993366;\"><strong><span style=\"color: #bf15ba;\">ASU Art Museum<\/span><\/strong><\/span><\/a><br \/>\n<strong><span style=\"color: #bf15ba;\">Location:<\/span><\/strong><br \/>\n<iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3327.3758206625175!2d-111.92510968521617!3d33.491597980762116!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x872b0bc0cd992f6b%3A0x2c8af03ce8185d10!2sScottsdale%20Museum%20of%20Contemporary%20Art!5e0!3m2!1shr!2shr!4v1618498666643!5m2!1shr!2shr\" width=\"600\" height=\"450\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/asuevents.asu.edu\/content\/dinnerwhere\"><span style=\"color: #bf15ba;\"><strong>Dinner Where<\/strong><\/span><\/a><\/h3>\n<p>This exhibition explores the ways communal meals can spark dialogue about critical issues from food access to national identity by using objects associated with meals, from full-size dinner table to ceramic cup.<br \/>\nFeatured artists include Claydies, Marilyn Lysohir, the Democratic Cup Project, and more.<\/p>\n<figure id=\"attachment_24057\" aria-describedby=\"caption-attachment-24057\" style=\"width: 745px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24057\" src=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/dinnerwhereexhibit-claydies-asuam.jpg\" alt=\"\" width=\"745\" height=\"419\" srcset=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/dinnerwhereexhibit-claydies-asuam.jpg 745w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/dinnerwhereexhibit-claydies-asuam-600x337.jpg 600w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/dinnerwhereexhibit-claydies-asuam-300x169.jpg 300w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/dinnerwhereexhibit-claydies-asuam-696x391.jpg 696w\" sizes=\"(max-width: 745px) 100vw, 745px\" \/><figcaption id=\"caption-attachment-24057\" class=\"wp-caption-text\">Claydies, True feelings, 2011, Glazed porcelain, Purchased with funds provided by the Windgate Charitable Foundation.<br \/>Morgan Morell<\/figcaption><\/figure>\n<p><strong><span style=\"color: #bf15ba;\">Date:<\/span><\/strong> March 27 to October 9<br \/>\n<strong><span style=\"color: #bf15ba;\">Website: <a href=\"https:\/\/asuartmuseum.asu.edu\/visit\/ceramics-research-center\"><span style=\"color: #bf15ba;\">ASU Art Museum Ceramic Research Center<\/span><\/a><\/span><\/strong><br \/>\n<strong><span style=\"color: #bf15ba;\">Location:<\/span><\/strong><br \/>\n<iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3329.9876328020437!2d-111.94145748521822!3d33.42356678078169!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x872b08d8328497bb%3A0x3c42ebbfd245497f!2sASU%20Art%20Museum%20Ceramics%20Research%20Center!5e0!3m2!1shr!2shr!4v1618499224385!5m2!1shr!2shr\" width=\"600\" height=\"450\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/phxart.org\/exhibition\/fearless-fashion\/\"><strong><span style=\"color: #bf15ba;\">\u201cFearless Fashion: Rudi Gernreich\u201d<\/span><\/strong><\/a><\/h3>\n<p>This exhibition consists of more than 80 pieces by Rudi Gernreich, a 20th-century fashion designer who played with notions of gender, identity, and aesthetic ideals to create iconic designs. Visit this exhibition and you&#8217;ll see filmed oral histories, photographs, and ephemera that illuminate his cultural significance, and his wide range of interests from performing arts to the gay rights movement.<\/p>\n<figure id=\"attachment_24058\" aria-describedby=\"caption-attachment-24058\" style=\"width: 980px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24058\" src=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/1_pic_rudi_gernreich_page.jpg\" alt=\"\" width=\"980\" height=\"653\" srcset=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/1_pic_rudi_gernreich_page.jpg 980w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/1_pic_rudi_gernreich_page-600x400.jpg 600w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/1_pic_rudi_gernreich_page-300x200.jpg 300w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/1_pic_rudi_gernreich_page-768x512.jpg 768w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/1_pic_rudi_gernreich_page-696x464.jpg 696w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/1_pic_rudi_gernreich_page-630x420.jpg 630w\" sizes=\"(max-width: 980px) 100vw, 980px\" \/><figcaption id=\"caption-attachment-24058\" class=\"wp-caption-text\">Fearless Fashion: Rudi Gernreich<\/figcaption><\/figure>\n<p><strong><span style=\"color: #bf15ba;\">Date:<\/span><\/strong> April 7 to September 26<br \/>\n<strong><span style=\"color: #bf15ba;\">Website:<\/span><\/strong> <span style=\"color: #bf15ba;\"><a style=\"color: #bf15ba;\" href=\"https:\/\/phxart.org\"><strong>Phoenix Art Museum<\/strong><\/a><\/span><br \/>\n<span style=\"color: #bf15ba;\"><strong>Location:<\/strong><\/span><br \/>\n<iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3328.306570500427!2d-112.07561168521686!3d33.46736828076912!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x872b12404f46c099%3A0x7e4a690d4b280af1!2sPhoenix%20Art%20Museum!5e0!3m2!1shr!2shr!4v1618499504287!5m2!1shr!2shr\" width=\"600\" height=\"450\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.mesaartscenter.com\/index.php\/museum\/art\/exhibits\/cannupa\"><strong><span style=\"color: #bf15ba;\">&#8220;Canupa Hanska Luger&#8221;<\/span><\/strong><\/a><\/h3>\n<p>Canupa Hanska Luger will be showing works that include Something to Hold Onto, an installation created with 7,000 beads representing people who have died along the U.S.-Mexico border. The collaborative exhibit at Mesa Contemporary Arts Museum will also include a floor mural painted by local artists Thomas &#8220;Breeze&#8221; Marcus and Dwayne Manuel.<\/p>\n<figure id=\"attachment_24059\" aria-describedby=\"caption-attachment-24059\" style=\"width: 750px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24059\" src=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/STHOClaybiennial3.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/STHOClaybiennial3.jpg 750w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/STHOClaybiennial3-600x400.jpg 600w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/STHOClaybiennial3-300x200.jpg 300w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/STHOClaybiennial3-696x464.jpg 696w, https:\/\/phoenixvalleyreview.com\/wp-content\/uploads\/2021\/04\/STHOClaybiennial3-630x420.jpg 630w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-24059\" class=\"wp-caption-text\">Something To Hold Onto social engagement call to participate. Craft Contemporary Clay Biennial, CA, 2020<\/figcaption><\/figure>\n<p><strong><span style=\"color: #bf15ba;\">Date:<\/span><\/strong> May 14 to August 8<br \/>\n<strong><span style=\"color: #bf15ba;\">Website: <\/span><\/strong><a href=\"https:\/\/www.mesaartscenter.com\"><strong><span style=\"color: #bf15ba;\">Mesa Contemporary Arts Museum<\/span><\/strong><\/a><br \/>\n<strong><span style=\"color: #bf15ba;\">Location:<\/span><\/strong><br \/>\n<iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3330.3351506251315!2d-111.83318098521846!3d33.414505580784144!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x872ba7220c423abd%3A0x627c9ed9e46f257f!2sMesa%20Contemporary%20Arts%20Museum!5e0!3m2!1shr!2shr!4v1618499809161!5m2!1shr!2shr\" width=\"600\" height=\"450\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong><span style=\"color: #bf15ba;\">Source: <\/span><\/strong><strong><span style=\"color: #bf15ba;\">phoenixnewtimes.com <span style=\"color: #000000;\">(article by <b>Lynn Trimble<\/b>)<\/span><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Body\/Magic: Liz Cohen&#8221; This exhibition combines all aspects of artist Liz Cohen\u2019s &#8220;Bodywork&#8221; series. She explores issues of personal and cultural identity and assumes various roles in lowrider culture, including builder and bikini model, to challenge prevailing narratives about femininity and prompt conversations about &#8220;immigration, nonconformity, and resistance.&#8221; Date: January 16 to May 29 Website: [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":24061,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114,22,93,31,30,118],"tags":[],"_links":{"self":[{"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/posts\/24051"}],"collection":[{"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/comments?post=24051"}],"version-history":[{"count":0,"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/posts\/24051\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/media\/24061"}],"wp:attachment":[{"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/media?parent=24051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/categories?post=24051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/phoenixvalleyreview.com\/wp-json\/wp\/v2\/tags?post=24051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}